This week, Research Assistant Adriana Hill is guiding us through what she has found on Intersectional Sustainability and its prevalence in fashion:
As one of the first known drag queens, William Dorsey Swann unapologetically expressed himself in a time when queerness was an unspeakable crime, holding drag balls in the 1880s-90s that would popularize ballroom culture.
This week, Research Assistant Adriana Hill is guiding us through what she has found on Orientalism and its prevalence in fashion:
The traditional dress of Vietnam, the Áo Dài, captures the essence of Vietnamese culture and pride, embodying their ideals of beauty, modesty and grace. The Áo Dài, meaning “long dress” or “long tunic,” has evolved throughout the decades, however the earliest known versions date back to the 18th century.
This week, Research Assistant Adriana Hill is guiding us through what she has found on Indigenous dress, with a collection of exhibitions that showcase dress, adornment and photography.
Vietnamese conical hats (Nón Lá) are often added as the “finishing touch” to several of the stereotypical Asian cultural costumes sold at halloween shops. Although globalization and cross-cultural dressing has brought the Vietnamese Nón Lá into daily dress practices around Asia, it is an article unique to Vietnamese traditional dress. The Nón Lá is a cultural object that embodies Vietnamese spirit and history, not an accessory to enhance racist perceptions of Asian costume.
The Great Plains Indian/First Nation feathered headdress, commonly referred to as a “war bonnet,” is one of most recognizable items of indigeneity in North America due to its prevalence in mainstream media, fashion and sports. The common misconception is that all Native Americans wore war bonnets or that they were a fashionable accessory. In reality, the feathered bonnet headdress is a culturally and spiritually significant article of adornment for the tribes specifically from the Great Plains region.
The Kimono, which literally translates to “thing to wear” in English, is recognized worldwide as the national dress of Japan. It is a fashion that is often perceived as timeless and unchanging, reflecting an outsider’s judgment of Japanese values. However, this false notion denies the rich history of the Kimono which fosters identity, innovation and artistry.
Navajo blankets are carefully constructed textiles that embody a cultural appreciation for craftsmanship, innovation and individuality.
Moccasins have become synonymous with all Native American footwear, however this generalization fails to recognize the wide variety of shoe styles, materials and construction techniques used by different Indigenous peoples across North America.