The Transorientalist Nature of the Blue-and-White Porcelain Aesthetic

The aesthetic of blue-and-white porcelain, when used by Western designers, is often perceived as a form of neo-chinoiserie that appropriates and bastardizes porcelain in a form of colonial power. The appeal and celebration of Chinese cultural identity in these items suggest that they align better with the history of China and its visual traditions. However, this is a notion that should be challenged.