The traditional dress of Vietnam, the Áo Dài, captures the essence of Vietnamese culture and pride, embodying their ideals of beauty, modesty and grace. The Áo Dài, meaning “long dress” or “long tunic,” has evolved throughout the decades, however the earliest known versions date back to the 18th century.
The Great Plains Indian/First Nation feathered headdress, commonly referred to as a “war bonnet,” is one of most recognizable items of indigeneity in North America due to its prevalence in mainstream media, fashion and sports. The common misconception is that all Native Americans wore war bonnets or that they were a fashionable accessory. In reality, the feathered bonnet headdress is a culturally and spiritually significant article of adornment for the tribes specifically from the Great Plains region.
The Kimono, which literally translates to “thing to wear” in English, is recognized worldwide as the national dress of Japan. It is a fashion that is often perceived as timeless and unchanging, reflecting an outsider’s judgment of Japanese values. However, this false notion denies the rich history of the Kimono which fosters identity, innovation and artistry.
Vietnamese conical hats (Nón Lá) are often added as the “finishing touch” to several of the stereotypical Asian cultural costumes sold at halloween shops. Although globalization and cross-cultural dressing has brought the Vietnamese Nón Lá into daily dress practices around Asia, it is an article unique to Vietnamese traditional dress. The Nón Lá is a cultural object that embodies Vietnamese spirit and history, not an accessory to enhance racist perceptions of Asian costume.
A cloth with complex political semiotics, the Palestinian keffiyeh (sometimes written “kufiya” or “hattah”) is a square-shaped, white cotton scarf woven with a typically black houndstooth pattern. It is primarily worn by the people of Palestine and those who stand in solidarity with the Palestinians against the illegal occupation by Israel.